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Descendents - Everything Sucks (1996) - VG+ LP Record 2013 Epitaph USA Vinyl & Insert - Punk Rock
Descendents - Everything Sucks (1996) - VG+ LP Record 2013 Epitaph USA Vinyl & Insert - Punk Rock
Descendents – Everything Sucks
Label: |
Epitaph – 86481-1 |
|---|---|
Format: |
Vinyl, LP, Album, Reissue, Repress
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Punk |
| A1 | Everything Sux | |
| A2 | I'm The One | |
| A3 | Coffee Mug | |
| A4 | Rotting Out | |
| A5 | Sick-O-Me | |
| A6 | Caught | |
| A7 | When I Get Old | |
| A8 | Doghouse | |
| A9 | She Loves Me | |
| B1 | Hateful Notebook | |
| B2 | We | |
| B3 | Eunuch Boy | |
| B4 | This Place | |
| B5 | I Won't Let Me | |
| B6 | Thank You | |
| B7 | Grand Theme |
- Copyright © – Epitaph
- Phonographic Copyright ℗ – Epitaph
- Published By – Dome O'Chrome
- Published By – Schwinn Tone
- Published By – Drum Ogre Music
- Published By – Nerdcore Music
- Pressed By – Rainbo Records – S-33986
- Pressed By – Rainbo Records – S-33987
- Recorded At – The Blasting Room
- Mixed At – Soundtrack Studios
- Mastered At – Masterdisk
- Backing Vocals – Chad Price
- Bass – Karl Alvarez
- Drums – Bill Stevenson
- Engineer [Additional Engineering] – Jason Livermore
- Guitar – Stephen Egerton
- Illustration – Grey Stool
- Lacquer Cut By – KPG*
- Legal [For Mitchell, Silberberg & Knupp] – Gene Salomon
- Management [For Twist Management] – Dave Lumian*, Laurel Stearns
- Management [Tour Manager] – Claire Alvarez
- Mastered By – Howie Weinberg
- Mixed By – Andy Wallace
- Mixed By [Mix Assistant Engineer] – Steve Sisco
- Photography By [Back Cover Photo] – Craig Cameron Olsen, Jesse Fischer (2)
- Producer, Engineer – Bill Stevenson, Stephen Egerton
- Sequenced By [Sequencing Assistance] – Brett Gurewitz
- Sound Designer [Live Sound Engineer] – Andrew Schornack
- Sound Designer [Moniter Mixer] – Jason Livermore
- Stage Manager – Daniel "Bug" Snow*
- Vocals – Milo Aukerman
Comes with a lyric/credit insert with photos of the band.
Differences to Descendents - Everything Sucks:
- on the 2013 reissue there is a distance (0,3cm) between the printed barcode and the spine. See submitted image.
- for the 2013 reissue the color of the cover and insert is a brighter white
Recorded June/July 1996 at The Blasting Room, Fort Collins, Colorado.
Mixed at Soundtrack Studios, NYC, NY.
Mastered at Master Disk, NYC, NY.
Track A1: Dome O'Chrome, ASCAP
Tracks A2, A6, B5 and B6: Schwinn Tone, ASCAP
Tracks A3 and A5: Drum Orge, BMI / Dome O'Chrome, ASCAP
Tracks A4, B2, B3 and B4: Nerdcore Music, BMI
Tracks A7 and B1: Drum Orge, BMI / Schwinn Tone, ASCAP
Tracks A8 and A9: Drum Orge, BMI
Epitaph ©+℗ 1996
B7 is an uncredited hidden track, known from the Gotta 7"
Cutting engineer and pressing plant derived from matrix.
Differences to Descendents - Everything Sucks:
- on the 2013 reissue there is a distance (0,3cm) between the printed barcode and the spine. See submitted image.
- for the 2013 reissue the color of the cover and insert is a brighter white
Recorded June/July 1996 at The Blasting Room, Fort Collins, Colorado.
Mixed at Soundtrack Studios, NYC, NY.
Mastered at Master Disk, NYC, NY.
Track A1: Dome O'Chrome, ASCAP
Tracks A2, A6, B5 and B6: Schwinn Tone, ASCAP
Tracks A3 and A5: Drum Orge, BMI / Dome O'Chrome, ASCAP
Tracks A4, B2, B3 and B4: Nerdcore Music, BMI
Tracks A7 and B1: Drum Orge, BMI / Schwinn Tone, ASCAP
Tracks A8 and A9: Drum Orge, BMI
Epitaph ©+℗ 1996
B7 is an uncredited hidden track, known from the Gotta 7"
Cutting engineer and pressing plant derived from matrix.
- Barcode (Text): 0 4577-86481-1 5
- Barcode (Scanned): 045778648115
- Matrix / Runout (Side A (etched, KPG mooshed)): 86481-1-A KPG S-33986
- Matrix / Runout (Side B (etched, KPG mooshed)): 86481-1-B KPG S-33987
$10.50
Original: $29.99
-65%Descendents - Everything Sucks (1996) - VG+ LP Record 2013 Epitaph USA Vinyl & Insert - Punk Rock—
$29.99
$10.50
Description
Descendents – Everything Sucks
Label: |
Epitaph – 86481-1 |
|---|---|
Format: |
Vinyl, LP, Album, Reissue, Repress
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Punk |
| A1 | Everything Sux | |
| A2 | I'm The One | |
| A3 | Coffee Mug | |
| A4 | Rotting Out | |
| A5 | Sick-O-Me | |
| A6 | Caught | |
| A7 | When I Get Old | |
| A8 | Doghouse | |
| A9 | She Loves Me | |
| B1 | Hateful Notebook | |
| B2 | We | |
| B3 | Eunuch Boy | |
| B4 | This Place | |
| B5 | I Won't Let Me | |
| B6 | Thank You | |
| B7 | Grand Theme |
- Copyright © – Epitaph
- Phonographic Copyright ℗ – Epitaph
- Published By – Dome O'Chrome
- Published By – Schwinn Tone
- Published By – Drum Ogre Music
- Published By – Nerdcore Music
- Pressed By – Rainbo Records – S-33986
- Pressed By – Rainbo Records – S-33987
- Recorded At – The Blasting Room
- Mixed At – Soundtrack Studios
- Mastered At – Masterdisk
- Backing Vocals – Chad Price
- Bass – Karl Alvarez
- Drums – Bill Stevenson
- Engineer [Additional Engineering] – Jason Livermore
- Guitar – Stephen Egerton
- Illustration – Grey Stool
- Lacquer Cut By – KPG*
- Legal [For Mitchell, Silberberg & Knupp] – Gene Salomon
- Management [For Twist Management] – Dave Lumian*, Laurel Stearns
- Management [Tour Manager] – Claire Alvarez
- Mastered By – Howie Weinberg
- Mixed By – Andy Wallace
- Mixed By [Mix Assistant Engineer] – Steve Sisco
- Photography By [Back Cover Photo] – Craig Cameron Olsen, Jesse Fischer (2)
- Producer, Engineer – Bill Stevenson, Stephen Egerton
- Sequenced By [Sequencing Assistance] – Brett Gurewitz
- Sound Designer [Live Sound Engineer] – Andrew Schornack
- Sound Designer [Moniter Mixer] – Jason Livermore
- Stage Manager – Daniel "Bug" Snow*
- Vocals – Milo Aukerman
Comes with a lyric/credit insert with photos of the band.
Differences to Descendents - Everything Sucks:
- on the 2013 reissue there is a distance (0,3cm) between the printed barcode and the spine. See submitted image.
- for the 2013 reissue the color of the cover and insert is a brighter white
Recorded June/July 1996 at The Blasting Room, Fort Collins, Colorado.
Mixed at Soundtrack Studios, NYC, NY.
Mastered at Master Disk, NYC, NY.
Track A1: Dome O'Chrome, ASCAP
Tracks A2, A6, B5 and B6: Schwinn Tone, ASCAP
Tracks A3 and A5: Drum Orge, BMI / Dome O'Chrome, ASCAP
Tracks A4, B2, B3 and B4: Nerdcore Music, BMI
Tracks A7 and B1: Drum Orge, BMI / Schwinn Tone, ASCAP
Tracks A8 and A9: Drum Orge, BMI
Epitaph ©+℗ 1996
B7 is an uncredited hidden track, known from the Gotta 7"
Cutting engineer and pressing plant derived from matrix.
Differences to Descendents - Everything Sucks:
- on the 2013 reissue there is a distance (0,3cm) between the printed barcode and the spine. See submitted image.
- for the 2013 reissue the color of the cover and insert is a brighter white
Recorded June/July 1996 at The Blasting Room, Fort Collins, Colorado.
Mixed at Soundtrack Studios, NYC, NY.
Mastered at Master Disk, NYC, NY.
Track A1: Dome O'Chrome, ASCAP
Tracks A2, A6, B5 and B6: Schwinn Tone, ASCAP
Tracks A3 and A5: Drum Orge, BMI / Dome O'Chrome, ASCAP
Tracks A4, B2, B3 and B4: Nerdcore Music, BMI
Tracks A7 and B1: Drum Orge, BMI / Schwinn Tone, ASCAP
Tracks A8 and A9: Drum Orge, BMI
Epitaph ©+℗ 1996
B7 is an uncredited hidden track, known from the Gotta 7"
Cutting engineer and pressing plant derived from matrix.
- Barcode (Text): 0 4577-86481-1 5
- Barcode (Scanned): 045778648115
- Matrix / Runout (Side A (etched, KPG mooshed)): 86481-1-A KPG S-33986
- Matrix / Runout (Side B (etched, KPG mooshed)): 86481-1-B KPG S-33987
